(Jean Cocteau, 1930)
This is a pretty weird movie, and it kind of reminds you, in the same way a film like Un Chien Andalou that cinema has never really gotten more bizarre or experimental than it was at the beginning. Jean Cocteau is mostly associated with the surrealist movement that birthed that earlier film, but I think his work is much more personal and unique. The Blood of a Poet is not really my cup of tea, but it's certainly a fascinating film that transcends its academic ambitions.
The scene in a hallway clearly influenced the recent blockbuster Inception, something which reminded me that films like this are an exploration of art in the way something like launching the first rocket into space paves the way for things like the moon landing and satellites. While I might not enjoy watching these experiments, I can see how valuable the films are to cinema as a whole, just as I can see how exciting it must have been to see a film like this for the first time, or how exciting it still is for those who are more interested in watching brilliant filmmakers grasp in the dark for something special.
This is the first movie in a trilogy that Cocteau would complete later in his career, and while I don't necessarily think I'll enjoy the other films, I'm nevertheless looking forward to them.
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